Its also faster most often to keep the player or singer at their mic/rig/kit and have then play the messed up section again, rather than fishing thru 8 previous takes. i really dislike auditioning a takes when comping, its annoying to me.

Then punch in on the best, i like building the final take 'in the moment'. Yeah i tend to do full takes, as long as they are getting better, and stop when they start to decline.

Makzimia, post: 462253, member: 48344 wrote: Sorry to say, comping has never, and never will excite me :). Basically how are object settings and takes related? Not sure how clear this question is. Do the object settings get preserved on the new take or not? Does this change if your replacing the whole object/section, or say just a little part of it. What i mean is, say you were in the middle of a mix and noticed a wonky section you wanted to replace, and that part was part of an object with object level effects or settings. One question i have is how the takes are handled from an 'object' perspective. Those are the ones I use every sessions and they weren't assigned by default on my QCon Pro XĬool video man, its so nice to be able to just switch takes without having to see all the track lanes! I did even customise some of my controlers buttons for stuff they weren't assigned by default. I know the top menu bar is customisable so I'm sure you can put handy tools there.Īlso, you can customise all the shortcuts so yeah, make those you need most. Kmetal, post: 462157, member: 37533 wrote: Also is there a keyboard shortcut to switch from the cut tool to the multi tool? Do you know if its possible to move the cut mode button from the drop menu to the main toolbar? What about a keyboard shortcut to switch into composer mode? Just curious if theres a way to avoid the menu surfing.

I'll experiment more with Samp and include my results in the next video. in Sonar, while playing you could click on a take where ever you want and here it from that time. Kmetal, post: 462157, member: 37533 wrote: From the vid, i am wondering how you hear each take while comping? Just click on it? That's an excellent Idea for a part 2 video DP actually has a pretty good system for this, which i found simpler than protools playlists. It would be interesting to see how multitrack take management works, like when tracking live drum takes. Kmetal, post: 462157, member: 37533 wrote: Its funny i was just wondering last week, how take management worked in samplitude.

Samplitude 2019